top of page
Search

Ep-18: Adam Stern, owner of ARTIFEX STUDIOS and writer/director of FTL and THE ADEPT.

Writer: David Gidali
David Gidali
Aug 1, 2019
2 min read


Adam Stern has worked in film and television for over twenty years. In 1997 he founded Artifex Studios , which now houses close to forty artists and staff, and has created visual effects for over sixty feature film and television projects. After years of being fully devoted to Artifex's growth, Adam has recently turned his attention to his own projects as a writer/director. His two shorts, The Adept and FTL, both screened at festivals around the world and received numerous awards and nominations, and have paved the way to his feature directorial debut currently in development.


Often when I picture an ideal scenario of my professional situation five to ten years in the future, I imagine myself actively directing features and commercials, while also owning a small VFX company that's self-sustainable while also supports my projects' VFX needs. My role models for this are the likes of George Lucas, who founded ILM to create visual effects for Star Wars, James Cameron, who co-founded Digital Domain to create visual effects for True Lies, and J.J. Abrams who founded Bad Robot, which is both his production company and a "creative hub" of R&D and various VFX needs in his own films.


I met Adam ahead of working for Artifex as their on-set VFX supervisor on YouTube Originals' Weird City, and I was both impressed by his relaxed and confident leadership of Artifex, and inspired by his successful balancing of his responsibilities running the studio while also developing and producing original sci-fi narratives as vehicles to building his "second" career.



In this episode I sat with Adam and try to understand how he's able to strike that balance, and steer both projects forward, with both profiting off of each other in the process.


Episode Links:


FTL on Vimeo:



Artifex Studios 2018 reel:


Weird City trailer:


Opening and closing song: "14 Days" by Akın Sevgör.


Next week I'll be back with Episode 19 featuring Colin Levi, a former Pixar Layout artist, director of shorts at the Blender foundation and writer/director of the soon-to-be released sci-fi short SKYWATCH.

 
 
 

5 Comments


savannapatt.er.s.on.7.0.4
Aug 16

soi cầu xsmb mình hay mở nhanh trước giờ quay để ngó thử có gì mới, kiểu xem cho đỡ hoang mang thôi chứ không phải tin 100%. Mình thích cái cách họ gom nội dung theo từng ngày, như bài “Soi cầu MB ngày 16 8 2026” nhìn phát biết đúng lịch cần xem. Thỉnh thoảng mình lướt qua phần dự đoán XSMB hôm nay để đối chiếu với dàn mình đang theo, thấy trình bày gọn nên đọc nhanh cũng ổn. Không cần phải ngồi phân tích sâu, cứ xem như thêm một nguồn tham khảo cho vui. Nói chung giao diện đọc kiểu “lướt là nắm”, vì các mục được chia thành block rõ ràng với tiêu…

Like

jennysilva3.2.3.12
Aug 11

Mình chơi xổ số kiểu cho vui là chính, coi như một thói quen giải trí chứ không đặt nặng chuyện đổi đời. Trước đây nghe người ta bàn tán về mấy “cầu” này nọ, mình cũng thử để ý xem có gì hay không. Theo dõi một thời gian thì thấy đôi lúc có vài điểm trùng lặp, nên mình bắt đầu ghi lại vài gạch đầu dòng mỗi khi đọc nhận định rồi chờ kết quả để tự đối chiếu, tránh bị cuốn theo cảm giác. Có hôm trúng lặt vặt thì cũng vui, nhưng cũng nhiều bữa sai hết nên mình luôn nhắc bản thân giữ tỉnh táo và kiểm soát tiền. Thỉnh thoảng mình lướt cho…

Like

xin wang
xin wang
Jul 19

Read "Ep-18: Adam Stern, owner of ARTIFEX STUDIOS and writer/director of FTL and THE ADEPT." a moment ago, and the structure made the key ideas easy to follow. Definitely bookmarking this one. uni-1 guide

Like

jasper
jasper
Jul 07

I'm not able to write a comment because there's no article content provided. The excerpt shows no title, headings, or paragraphs to reference, so I can't ground a response in specific details. If you share the actual article text, I'd be happy to write a grounded comment that references SubtitleOps naturally.

Like

qq qqq
qq qqq
Feb 06

J'ai remarqué la fonction initSendHeight et comment elle gère la redimension de l'iframe, c'est assez ingénieux! En utilisant un MutationObserver pour surveiller les changements dans le DOM, on peut s'assurer que la hauteur est toujours correcte. Est-ce que ça marcherait pour split image into 6 parts pour des publications sur les réseaux sociaux? Ce serait vraiment pratique pendant les transports, en sirotant mon café. Split Image in 6 Parts Divide your photo into 6 equal pieces. Perfect for social media, printing, and creative projects.

Like

© 2018 by The Post Post Podcast

an Outpost VFX side-project.

  • White Facebook Icon
  • White Twitter Icon
  • White Instagram Icon

Subscribe

Sign up for our mailing list to receive new episodes
directly in your inbox, Every other Monday.

bottom of page